CALL FOR SCORES
113 Call for Scores 2023-24 Season
Call for Scores
Deadline: April 30, 2023
Submission Fee: $ 5.00 per score
113 is accepting scores for the 2023-24 concert season. Selected scores may be programmed at any point during the season and selected composers may also receive an offer for publishing the work. Composers who are accepted are encouraged (but not required) to attend the concert(s) featuring their work. Composers of any age or nationality may apply. We are accepting scores in one category:
Chamber Ensemble, for any combination of up to 8 performers from the instruments listed below. Solo pieces will also be accepted:
Mezzo soprano voice (or unspecified voice)
Percussion (including found objects)
Piano (including preparation)
Guitar (electric and/or classical - up to 2 players)
Violin
Viola
Cello
Flute (including piccolo, alto)
Clarinet (including bass clarinet)
Any saxophone or combination (sopranino, soprano, alto, tenor, or baritone - 1 player)
Trombone
Tuba
All submissions may include electronics and/or improvisation.
Guidelines:
Composers may submit multiple scores, but please note that there is a $ 5.00 fee for each score submission. Scores should be submitted electronically to info@113collective.com with the subject heading, “113 Call for Scores 2023”
Include:
1. Your Name
2. Title of the Work
3. Instrumentation or media used (including number of audio channels for electronic works)
4. Duration
5. PDF of the score (if applicable)
6. Link to an audio or video recording (if available)
7. Paypal Receipt Number or Attachment
8. Preferred contact info (email and phone number)
Direct Link to PayPal Cart:
SELECTED COMPOSERS FROM PAST SEASONS
2022-2023
Virtual Landscape 001 by Livia Malossi Bottignole
for audio track, violin, cello, and double bass
head chorale by Hannes Dufek
violin, cello, and piano
Nocturne by Andrew Maxbauer
violin alone
Brainzaps by Kelley Sheehan
for flexible ensemble, video, and tapes
Huellas (rasga la niebla un pájaro) by Ivan Sparrow
for voice, flute, and violoncello
Approximations by Anna-Louise Walton
for alto sax, snare drum, piano, and electric guitar in C
2020-2021
Sonorita by Gabriel Bolaños
for flute and clarinet in Bb
umbrales (i and ii) by Juan Campoverde Q.
for two sopranos, amplified flute, and amplified classical guitar
Trio by Yu-Chun Chien
for string quartet
After Pehuajó by Pablo Santiago Chin
for flute, oboe, clarinet, piano, and percussion
t for five players and electronics by Sergio Cote
for five players and electronics
vortex of length by Kimia Koochakzadeh-Yazdi
for string quartet
flagellatio ii (torso) by Raphaël Languillat
for performer and amplified piano
For four people by Alexis Porfiriadis
for four performers
2019-2020
Dear Ape by Alfred Jimenez
for two performers
33 Words by Andrew Greenwald
for solo soprano saxophone
Acousocial Solutions Production Promotion and Live Catalog Demonstration by Heather Mease
for open instrumentation and actor
dove tutto è stato preso (Innerspace II) by Maurizio Azzan
for solo piano
L'énigme et son sommeil by Jean-Pascal Chaigne
for solo voice
Impressões - no. 1 by Helder Oliveira
for solo voice
Esplorazione VII by Marco Longo
for solo voice
2018-2019
Untitled on Earth by Pedro Alvarez
for cymbals and double bass
Utopia (omaggio a Luciano Berio) by Christian Dimpker
for solo flute
A Greater Revelation by James Erber
for flute and clarinet in Bb
please do not by Inti Figgis-Vizueta
for bass flute, bass clarinet, tam-tam, and soprano
Penumbra by Uri Kochavi
for amplified flute and clarinet
In Between by Yu Kuwabara
for alto saxophone, percussion, and piano
[VIsi-klIXvlc] by Joan Arnau Pàmies
for clarinet in Eb and any string instrument
P.I.TCH by Valentin Pelisch
for violin and video
Ghost by Ivan Vukosavljević
for bass clarinet and vibraphone
Isolated strands of reflection by Frej Wedlund
for soprano saxophone, percussion, and piano
2017-2018
Constructive Drama by Amer Ali
for solo piano
Of Dust and Sand by Per Bloland
for alto saxophone and piano with electromagnets
What Will Sound (was already sound) by Jeffrey Bowen
for solo violin and live electronics
Instrepere II by Nuno Costa
for solo voice
Four Voices by Nomi Epstein
for four singers
Ludio/Post Ludio by Dario Pino
for solo clarinet
Warenfetisch by Zach Thomas
for solo cello
2016-2017
Acrisolares by Pedro Alvarez
for piccolo, tenor saxophones, vibraphone, and piano
Sin título (fui) by Ignacio Baca-Lobera
for female voice and pre-recorded electronics
Mirror, Mirror… by Robert Baker
for two violins
sub rosa by Santa Bušs
for amplified violin and soprano
Holophony by Panayiotis Kokoras
for string quartet
Maximes by Nicolas Marty
for choir
Hallelujah by Joo Won Park
for vibraphone and computer
Modéles dans le sable by Adriàn Pertout
for two violins