CALL FOR SCORES
113 Call for Scores 2024-25 Season
Deadline: May 19, 2025
Submission Fee: $5.00 per score
Announcement: Fall of 2025
113, in collaboration with the Fonema Consort, is pleased to announce the return of our annual Call for Scores. Composers of any age or nationality may apply. There is no limit to the number of scores a composer may submit. Composers who have previously been selected for one of our previous calls are still eligible.
The call is currently open for electronic works, acoustic works, and electroacoustic works with up to 6 performers, chosen from any combination of the following:
Flute (any)
Saxophone (any) or Clarinet (Bb or bass only)
Cello or Electric Guitar
Soprano
Mezzo-Soprano
Baritone
Winners will be announced by fall of 2025. Selected scores may be programmed at any point during our 2025-2026 or 2026-2027 concert seasons, in any city in the United States. When possible, efforts will be made to schedule performances when selected composers are most available to attend, though attendance is not required. All performances will receive quality audiovisual documentation.
Scores should be submitted electronically to 113composers@gmail.com with the subject heading, “113 Call for Scores.” Please attach a PDF of the score and include the link to an mp3
recording (if available). Submission fees will be accepted through Paypal at https://113collective.com/call-for-scores. If Paypal is not available in your country, let us know and we will find a way to accommodate you.
Direct Link to PayPal Cart:
SELECTED COMPOSERS FROM PAST SEASONS
2023-2024
Poem Based on Coincidence by Andreja Andric
Ich kann dich noch sehen… by Santa Bušs
Flow by Alicia Castillo
N. 2 Entgleisungen by Christian Dimpker
Nocturne for the Endless Void by Max Friedman
Fauna Obscura by Todd Harper
Diptychon by Richard Heller
Delimitations by Valsamara Ioanna
Rib III by Amir Khalaf
After days of rain, construction fills the air by June Young Will Kim
shoals of sardines, of dolphins, of sharks by Joel Kirk
Jungles III by Caroline Louise Miller
Postscriptum (2x11x12):The Melancholy of Perfection(ism) by Thomas Wally
2022-2023
Virtual Landscape 001 by Livia Malossi Bottignole
head chorale by Hannes Dufek
Nocturne by Andrew Maxbauer
Brainzaps by Kelley Sheehan
Huellas (rasga la niebla un pájaro) by Ivan Sparrow
Approximations by Anna-Louise Walton
2020-2021
Sonorita by Gabriel Bolaños
umbrales (i and ii) by Juan Campoverde Q.
Trio by Yu-Chun Chien
After Pehuajó by Pablo Santiago Chin
t for five players and electronics by Sergio Cote
vortex of length by Kimia Koochakzadeh-Yazdi
flagellatio ii (torso) by Raphaël Languillat
For four people by Alexis Porfiriadis
2019-2020
Dear Ape by Alfred Jimenez
33 Words by Andrew Greenwald
Acousocial Solutions Production Promotion and Live Catalog Demonstration by Heather Mease
dove tutto è stato preso (Innerspace II) by Maurizio Azzan
L'énigme et son sommeil by Jean-Pascal Chaigne
Impressões - no. 1 by Helder Oliveira
Esplorazione VII by Marco Longo
2018-2019
Untitled on Earth by Pedro Alvarez
Utopia (omaggio a Luciano Berio) by Christian Dimpker
A Greater Revelation by James Erber
please do not by Inti Figgis-Vizueta
Penumbra by Uri Kochavi
In Between by Yu Kuwabara
[VIsi-klIXvlc] by Joan Arnau Pàmies
P.I.TCH by Valentin Pelisch
Ghost by Ivan Vukosavljević
Isolated strands of reflection by Frej Wedlund
2017-2018
Constructive Drama by Amer Ali
Of Dust and Sand by Per Bloland
What Will Sound (was already sound) by Jeffrey Bowen
Instrepere II by Nuno Costa
Four Voices by Nomi Epstein
Ludio/Post Ludio by Dario Pino
Warenfetisch by Zach Thomas
2016-2017
Acrisolares by Pedro Alvarez
Sin título (fui) by Ignacio Baca-Lobera
Mirror, Mirror… by Robert Baker
sub rosa by Santa Bušs
Holophony by Panayiotis Kokoras
Maximes by Nicolas Marty
Hallelujah by Joo Won Park
Modéles dans le sable by Adriàn Pertout